“…She is a reflection on reflection, on that which is mirrored and present without truly being there. Thus, Daniela moves with absolute coherence between what may strike us as abstract and what presents itself with the veracity of a photograph. And this is a luxury she can afford because she is an outstanding painter in terms of craftsmanship. But the most important aspect is the sensory poetry she proposes—one that no camera, no matter how fast, could achieve. There is no such thing as an objective gaze, and even photography can become subjective. But beyond that, Daniela does not hold a camera in her hands; she holds a brush and a memory. Before her eyes, there is only the canvas she paints, which we will later contemplate with gratitude.”